Robert Edward Fahey
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  • Sapphire, NC
  • United States
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Robert Edward Fahey commented on the blog post 'What We Talk About When Talk About Book Titles'
"I've read that Roger Corman came up with the titles first, and then tried to make one of his weird movies to match them. I guess there is a certain kind of sense to that. With books on the shelves in a bookstore, all you see at first is the…"
Apr 18, 2012
Robert Edward Fahey commented on the blog post 'What We Talk About When Talk About Book Titles'
"Great article. Thank you. (And dang them pesky little brothers, anyhow) I have recently finished or polished three novels. One is a thriller based on religious extremists, rich corporate heads, and violent racists taking over the country. Religious…"
Apr 17, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Okay, sorry, Jennifer, it sounds like you already told us you had a completed draft at least with the opening changed umpty times. Sara"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Hey, gang, I'd love to have people go over these posted first lines and say what do I hear from them, I.e. what do they lead me to believe so far. I love practical suggestions, but I rarely get to hear How people read, if you see what I…"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Dear Jennifer, Hmmm. What I get from this first graph is that she's funny, she's like I said, intellectual and elliptical, she doesn't fit in, and she thinks that her awareness that her prom date asked her for the wrong reasons is an…"
Jan 27, 2012
Michelle Gwynn Jones replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"I agree it's too long.  I would leave out the explanation and the "nail bitten".  You can describe her appearance later. And why the italics?  As a first person narrator she is already talking to herself (or the…"
Jan 27, 2012
Jennifer Vail replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Thank you all for your feedback! I felt that I had to explain "read people's intentions" up front so it wasn't confusing, but maybe I don't. Will give it some thought. Also, where she is is revealed immediately after these…"
Jan 27, 2012
Judith Marshall replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"@ Jennifer.  I agree with Carolyn.  Your first line is too long.  The reader has to be grounded upfront.  Where is your protagonist?  We know she's in a car, but where?  The first line should set the scene for…"
Jan 27, 2012
Danielle Boonstra replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"thank-you Sara :) That is really invaluable feedback!"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"The reason I love it:it tells me instantly that this is a literary novel about growth and pain. The voice brims with confidence--that the writer has verbal chops, a poetic sense, and that she is absolutely certain what her story is. Sara"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"des,r Jennifer, I like this narrator. She's an intellectual teenager, which you don't see often. And while I agree with my fellow reader that that is one long, run on sentence, I'd go with her if you show me, with humor, that this…"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Hi, sue, These first sentences can be so hard. We have to hook the reader into the what of the story while we attach them to the who of the story. What I get from this sentence is all what and no who. Who is roi lain? What are his values? What…"
Jan 27, 2012
sara selznick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Hi, Rihanna, I like this one. I get a sense of child struggling to understand and I tend to like those kinds of story. Sara"
Jan 27, 2012
Carolyn Haley replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Doesn't work for me -- too long. The sentence up to the parentheses is gripping but then I had to put too much effort into following. Can you break it up? Or set it up in a more parallel construction, as my mind was instinctively seeking? For…"
Jan 27, 2012
Marilyn Bostick replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"Hey that's good! Good job! I like it. :)"
Jan 26, 2012
Sue Ann Bowling replied to the discussion 'First lines.' in the group Novelists (Struggling or Not)
"I've been trying for several years to rewrite the first chapter of the first novel of a trilogy I'm working on (finished in draft form) and I think I finally have it. How's this for an opening paragraph? Roi Laian jerked upright on…"
Jan 26, 2012

Profile Information

Who I am:
http://heartfeltliterature.blogspot.com/2011/01/hummingburp-from-my...

“Entertaining Naked Folks” is a literary novel based on my life massaging celebrities as I clawed my way free of a debilitating childhood into a world of wonders.
Crippled by self-disdain and fear of living, Ryan hungers for God but feels abandoned. He travels coast-to-coast, camps in deserts, walks out into the fury of Hurricane Andrew searching for some connection, even if it turns out to be his last. He lives with philosophers, occultists, and psychics; art school hippies and ghosts. His own mother throws a ceramic angel at him three weeks after he’s had her cremated. Folks on her side of the family don’t always stay dead. He lives on a cruise ship and works in world-class spas, massaging a U. S. President, a game show letter turner, athletes, celebrities from many fields, and everyday folks as he searches for God, purpose, and healing, one naked truth at a time.
Books I've written, anthologies I've contributed to, and any scripts or plays I've authored:
I've completed three novels, and am now working on an autobiographical one, but as for publication, have never gotten past the query letter.
Media outlets that I currently write for:
N / A.
My writing is:
Fiction
Outlets where I review books, TV, or film:
No.
Services I offer to other writers:
No.
I'm part of these writers' groups or salons:
Yes.
My professional associations:
Not really. How's that for a muddy answer?
I'm thinking about entering a few excerpts from a couple of my novels in short story contests.
In this particular excerpt, though, I'm having trouble deciding where to end it.
Should I cut it off where he goes to the phone and has no one to call, or where his dad's ghost grabs his shoulder?
If I end it with his dad, should I add in these lines I've put in bold type to explain why he's always felt so cold toward his dad, or does that block the flow of passion in what he's been feeling toward his mom?
I'd appreciate any and all advice and suggestions.
Thank you.

Also: I start each chapter of the book with a few poetic lines from the narrator's journal, so the opening lines below should be centered and in italics, and are not part of the prose.
"When Spirits Speak," then, is my working title for this excerpt, and the story begins immediately after that:


Dogs don’t echo in the city.
Under a low, sodden moon, one far distant and solitary beast
called out to a world that had turned away.
His plaintive baying haunted me, echoing unanswered through the wooded hills.
His loneliness drew up into a soft little fist of tears inside my chest.
The evening was just gathering;
this poor empty creature would have a long time to cry uncomforted.
- Then I sensed forsaken spirits wandering lost among the trees around me,
keeping silent company,
themselves uncherished and unanswered.


When Spirits Speak.


It’s hard to think “was” about your mom.
I’d dropped down on the threshold, not quite inside, rocking a plain cardboard packing box on my lap. I was coming all apart, blubbering. I wanted so badly to hug it. I would never find the courage to open it.
Inside it: nothing, really. A few old tarnished and thread-worn nothings anyone else might have thrown away. Mom’s fuzzy blue robe she’d always worn at the table over her Nescafe Instant Coffee on my rare visits home. I’d tried so many times to buy her special percolators and gold filters and exotic coffee grinds from Jamaica and Guatemala and beyond, but she’d always had to have her instant. She’d lean in over her cup, embracing it with both hands, listening intently to anything I wanted to share, no matter how trivial.
Her glasses. Glasses she’d never take off. I’d caught her dozing off in them once and asked if she wanted me to take them before she passed out and scrunched them into her face. She’d told me she’d forgotten she’d had them on. She’d been so used to them.
Those glasses had known her better than I had. And now I didn’t deserve to touch them.
Her ring. A mother’s ring with a single faded birthstone. Mine.
Looking up and far away between the trees, I watched the deflating sun flatten as it fell.
With one last soul-draining sigh, it drenched the world in crimsons and blues that pierced my heart with the supernatural, and growled in the pit of my bowels.
It gave up and let go, drooping away, down behind the fuzzy edge of nowhere.
Its fading residue lingered, cherishing Nature’s farewells, like that moody iridescence you sometimes catch wandering among graves.
I held the carton, rocking it oh so gently on my lap. I watched out into the gathering night and have rarely felt so lost.
Her last moments weep through me even now; as they did back then, holding that box; as they have most nights ever since when I haven’t been able to sleep.
Sitting with Mom day and night before the end. Rubbing that blue swelling out of her feet, trying to chat, but muted by helplessness and guilt. Massage school had taught me how to love with my hands, but not how to fully express my heart; taught me how to help, but not how to heal someone truly and irrevocably broken. It had left me useless and choking in the shadow of inevitability.
I could remember Mom coughing a few times when I’d phoned her but I just hadn’t put it together. She’d called it just a little cold, or another time maybe her allergies acting up. Maybe it was mildew during rainy spells. How long had she known? How long had she suffered the incoming fears without telling me? Had she just been marching to her death, always the brave soldier, as my father had? Had I suspected, but shaken off the most dire possibilities, denied her mortality and simply prayed harder? How blind, how foolish had I been? Or had I just been too selfish, too wrapped up in my own stuff; off somewhere in another part of the country? Should I have pressed her on it?
I should have called her more. But it had hurt to call, to hear the distance growing between me and the woman who had once formed and guided, even been my whole world, and to know I was the one who’d been pulling away, leaving her alone and isolated. To hear a choking quality in her voice and wonder if I’d caused it by being an insensitive, self-centered jerk of a son, abandoning his mom when she’d needed him. She’d never even hinted; never would have. She’d never guilt me out that way. It hurts either less, or a whole lot more, to think her voice had maybe choked that way all through my childhood.
In the hospital I spent her final days and nights crushed by all of that and more.
That pallid, grey body in front of me had been my entire life; those split lips had taught me to speak. She’d been my model, my guide; my goal, and the only destiny I could imagine. She had home-schooled me back when everyone had thought I’d die first, that I would never grow up to see this moment.
Tubes digging into her everywhere, strapped down to her bed so she couldn’t pull them loose. I prayed she was completely out of it, where that total and undeserved degradation couldn’t reach her, the pain, the chapped dry mouth. But there was still some selfish little boy part of me that wanted her to know I was there, loving her, rubbing the awful blue swelling out of her ankles and feet, to know that she wasn’t alone.
Her doctors let me spend her last three days and nights by her bed, but told me she had no idea I was there, that rubbing her feet was just a waste of time, that I was doing it more for me than for her.
How could they know? She was my mom. She was hurting. I was losing her.
Sometimes Mom opened her eyes just a little, but she never seemed to notice any of the ruckus around her in the ICU. That helped me focus back in on true priorities. Sometimes she even tried to smile. The doctors said that was impossible, what with that horrendous fat tube taped down her throat; all the drugs keeping her shut down and out of it. So maybe she smiled only in my imagination, or whatever other realms my mind’s always carried me off to, but I still believe it. I was just beginning to suspect at that time, that my “imagination” might actually be much more than that. Like some silent, low-riding flatboat, plying the heavy-laden shadows across the River Styx to a land where the dead and dying hurt to share with the living, but can’t. That sometimes I saw things that wanted to be seen. Even if no one else saw them.
Did she really speak to me? I think she must have. I went into that hospital with no thought at all for my father, my heart long closed and sealed to him, but then came out knowing he had loved me. Where would that have come from if not from her? I remember her words. “Your father really loved you, you know. He just couldn’t show it. He knew you’d have to be tough to survive.” She’d never told me that before. Where else could I have heard it if not in some lost lucid moment in that hospital?
She told me, “When you first came home, all wrapped up in your tiny blue outfit, and your little blue blanket, all he saw was this bright round head with eyes that never wanted to close, peeking out over the rest of the world like you saw something maybe we didn’t. Your dad took one look at you and called you Moonface.”
She sighed.
Or I imagined she sighed. And then she added, “You were probably five years old before he stopped calling you that. He called you Moonface and BubbleBum. And sometimes still did back in our room late at night where you couldn’t hear him.”
How could she have grabbed my hand when she was all trussed up like that? She couldn’t have. So where is this memory coming from? “You have no idea how hard that was on him, Sweetie,” Mom confided through tears.
She looked away for a while.
Or maybe she didn’t. Then she told me, without turning back, “He knew those weren’t strong names for a man.”
And then she was gone again.
I couldn’t be making this up.
It feels too real.
It hurts too bad.
And yet all the while she was building a world for her frail little son, she had herself been sadly thwarted, cut off, diminished. She’d been the keeper of my keys, but in taking that on, she’d locked herself out of her own life and possibilities.
Then, as I’d survived, only because of her; and as I’d grown; I’d needed distance for my sake alone. I hadn’t meant to hurt her. I couldn’t let myself get choked off like she had, buried in a marriage, a small town, and motherhood, but I hadn’t wanted to bury her any deeper when I’d left. While I’d been off gallivanting all over everywhere, stewing over why everyone could commit to forever loves but me, the one woman who had always meant love to me had been dying.
I hadn’t even known it.
I’d raced, hell-bent, out of the childhood she’d worked so long, hard and selflessly to build and hold together, just as soon as my legs were big enough to carry me. I couldn’t wait to get away. I’d deserted the one woman who could never ever have deserted me.
Mom had pushed me off to study in another city, to learn to survive. “Your dad would’ve wanted you to.” She had forcefully cut the strings.
Now, a tumor the size of a grapefruit was eating away at her heart and lungs from behind, all wrapped up in the nerves from her backbone where surgeons couldn’t cut through to it. Her doctor and his team were standing right in front of me in the emergency room, face to face, telling me the tubes were just keeping her heart and lungs functioning, but that she wasn’t really alive. She’d never get better, never wake up or get out of that bed or open her eyes again. He was calling on me, the selfish son who’d abandoned her so long before, to finish the job. It was time; it was “what’s best for her” to pull the plug. He was asking me to kill my own Mom.
I stood there, all locked up inside, needing to do something right for her for a change, needing to end her suffering right now, this minute; but there I was, too, the little kid who used to hide behind the couch, waiting for the world to go away, and all I could do was bury us both in her past. Hold on to our history a little bit longer.
I recalled how much my one and only friend, Emma, had loved my mom. She’d always want to come over to my house to be part of our classes. Sometimes we’d pull little pranks on Teacher, like trading her pencil for one that was all eraser, or giving her an apple out of the bowl of plastic fruit. Sometimes I’d wad up paper and toss it at Emma’s head; an easy shot since she’d sat right beside me. I’d have to lean way back and curl my hand to keep from swatting her as I’d released. She’d know it was coming, let it hit her, but keep right on listening to my mother, enthralled.
Mom had played along, pretending to punish us by making us lick sheets of Top Value stamps that had come with her groceries, and paste them into her bulging little books. Once she’d collected a few million stamps in a dozen books or so, she’d trade them in for a pillowcase or a can opener or something.
Mom had known all the time that we’d enjoyed all that licking and slapping, making faces at each other as the sticky stuff had built up on our tongues. She’d rewarded good behavior with Bazooka Bubble Gum. We’d carried on her tradition then, saving the comics that came with the gum for quietly exploding battleships or whistles Dad would never let us blow.
Dad had saved the Raleigh coupons that had come with his cigarettes, too, but would never have traded them in for anything. That would’ve been like admitting we’d been poor. The fact that he’d had to let Mom get a job at Woolworth’s toward the end of his life must have been like unfurling the blazing yellow banner of his defeat.
Back in the hospital, the doctor’s mouth was moving and then pausing and then moving again, but he hadn’t known my mom.
Emma and I used to get so excited in those classes we’d both be waving our hands for recognition so we wouldn’t get lost in the crowds of other kids who weren’t there. Who else could have brought that out of two strange and silence-locked kids but my mom? She’d stand up in front of us so happy and proud.
This doctor didn’t know that about her. Cripe, he may have gone to med school, but he was practically still a kid himself; what could he know about anything? How could he just stand there, so calmly, with such deadly arrogance, and ask anything that mean and ugly of anyone?
There were ducks outside the hospital windows, but Mom couldn’t see them. Or maybe she could. Maybe that anesthesia set her free of her body, let her spirit roam out by the lake, or back to her roses with Dad. I watched one ratty, wounded duck, kind of auburn and tan with a twisted foot, limping around, and imagined Mom out there bending over and talking gently to it, maybe even trying to heal it, somehow magically uncurling its foot. But that was probably just my weird imagination. I’m a sucker for anything that limps.
“Did you hear what I said?” The doctor broke through. “Look. I know how hard this must be…
Where was all the joy Mom brought? And not just to me. Emma had laughed with a delightful little snorting giggle. She’d written with her right hand, but drawn with her left. Mom had called her her little Da Vinci. Her “second favorite genius.”
“Mr. Tierney, Denys, Mr. Tierney, we need a decision.”

I hugged Mom as she died, watched her inside and out, felt her turning blue, and cold. The breathing machine kept clacking out its rhythm, but all her vital signs zeroed out. She slipped away quietly and I felt her love. She was eager to get on with it, but I felt her love. She came back just long enough to plant words in my head. Her hands were tied to the metal frame of her bed, but I felt both of them slip around one of mine, and I felt from her, of all things, gratitude.
I felt so loved it hurt.
I heard her words. “Your dad says,” and she kind of laughed. “He says he plumb forgot to tell you he’s always been proud of you. He hopes you’ll forgive his little oversight.”
And then inside her, all tears melted; and her smile was absorbed into a smile so vast I had to turn away. In that moment I lost her.
I didn’t look over at the gang next door as I parted the curtains with as much dignity and aloofness as I could muster for appearance’s sake, and walked quietly out and away.
I could feel others watching.
They were holding themselves back. They were silent.
I walked out of Intensive Care, off the floor, to a quiet room near a bank of phones, where I cried, having no one to call.

I sat in that room wanting to be alone with my mom, but memories of my father kept forcing their ways in.
He’d had to fortify himself to come home to his family. I’d hear him out there in the driveway, belting out a robustly cadenced song about caissons rolling, and field artillery. No longing or reverence, just stampeding over the enemy with arrogant pride. He’d fought the Nazis on their own turf, hand-to-hand and face-to-face, but somehow come home with no stories, and no regrets. And least none he could bring into the house.
Mom and I would hear the war song and know where he’d been. We’d know he was coming in smelling of cigarettes and beer. He’d march to the vestibule, into the front room, and slam up against our alternate reality. I wouldn’t need to look up to watch his face and spirit sag as he was forced once again to acknowledge the son who would never be a hero. He probably figured if I didn’t actually watch him sigh, I wouldn’t hear it either.
I’d feel him staring at me as he greeted my Mom. Checking his disappointment at the door, stuffing his sense of loss into private pockets he thought we couldn’t poke into.
After a long moment of readjustment, of just standing there, putting his war buddies back on their shelves, he’d step the rest of the way into our home and, as much as he could, into our lives. He’d ease his sample case down onto the floor so slowly it wouldn’t make a sound. I’d try so hard to imagine his hand, hovering just over my head, almost ready to give me a little pat, and call me son; but not quite.
But then he would always ask my mom, “How’s the boy?”


At her funeral, I finally reached a point after all those years, all the guilt and the pain and loss, when I just couldn’t take any more. I was bending over her coffin when it all busted loose.
I started to bawl.
Then I felt a hand on my shoulder.
Even after all those lost years I still recognized it. It was my father’s, old Sergeant Carl’s tight grip. Of course my logic tried to fight that off for a moment, but that was no time for logic. Then our history tried to tell me that if dad was really there, if he’d returned from his grave with a message, he must have been telling me to “suck it up,” not to cry – that it’s not manly. It’s not tough, like a man had to be.
But all of that had to let go. There was no room in that moment for anything but love, and it was in a total state of love that I finally heard my dad; heard what he was, and what he had always been.
In words just as clear as if he’d been standing there, breathing, I heard, “Attaboy, Son. Let ’er rip! I wish I could have cried like that.”

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At 7:34am on January 8, 2011, Sakina Murdock said…
By the way, I used a line of yours last night in a conversation: "You don't seem to got much scoot left in your gitalong," taking the p*ss out of my chap. Brilliant line, love it and I plan to use it again! :-)
At 4:53pm on January 6, 2011, Sakina Murdock said…

Hey Bob, the link took me straight to your blog page, no problem. My blog is a blogspot one as well which is why it took you to my profile page (strange, I didn't know it would do that). My blog is called Shiny Things, the link is at the bottom of the page. Peruse it if you so wish, it's mainly ramblings.
Jeremy rocks! Very very cool, reminds me of a character from a short film I wrote, called Hippy Guy, but your character has been written by someone who knows where they are going with him and you can tell that Jeremy knows where he is in the world, despite his proclamations of being a wanderer. Hippy Guy was written by a 25 year old who didn't know where she was going yet.

I couldn't tell there were 4 excerpts there, although I knew I didn't understand a couple of linkages. When you told me, I went through it and I think I can see two seams, but pretty neatly done.

I read the excerpt about the dying mum a while back. I didn't agree with your introduction of it, in all honesty. In film they reckon that a story is either a short or a feature, so when you wrote that you were entering excerpts into short story competitions, I didn't believe it would work. Having read When Spirits Speak (sorry, dude, don't like the title, it doesn't seem to go with the story for me :-P) for the second time (and third and fourth in fact), my comments are thus:

Very intensive writing. Fitting a lot of descriptive language into a short period of time. There's a lot of information in just a few sentences and it doesn't let up.

I cried. Not when the character cried, but when he finally made his decision. I am in love with my mum in a similar way.

There's a lot of love in the whole story, all the way through. It is really a story about love, not about someone switching off his mother's life.

It is beautiful, but I much prefer the writing in Hide and Seek.

Why was the boy not like other children?

At 1:12am on November 12, 2010, Sakina Murdock said…
Rats, I've been through my main character's chapters, (told in third person) and sliced and diced them in the hard copy - still to transfer to computer. Have now got to go through the interviews (third person and first person statements) and slice them up - and make the first person stuff sound more...well...first person (they were third to begin with and it doesn't transfer as straight as I'd hoped).
Personal circumstances (stressful 'real' job and Bf who's been feeling abandoned) not allowing for the required large chunks of mind time needed for the final push and I wanted to finish by Christmas.
Depressed.com. I will hopefully have saturday night and sunday to get going, but will be cacked after driving about 300 miles in rubbish weather (gale force winds and torrential rain it looks like) so I don't know how ambitious that is going to be.
I got some super feedback from a friend who said that it was a good start but hard to read. That led to the slicing exercise which was brilliantly cathartic and has hopefully tightened up Jake's chapters, but I don't have enough confidence in my own writing.
I think I ruined it by trying to write films for a long time (used to work in that industry) and because you put so little description and character feeling in that style, I have become a very flat descriptor.
Also the book is starting to (well, to be frank, it has done) turn into one that falls between genres. And it's nowhere near literary. The best I can say of it that it is a great story, constant action and it might be okay to call it a chiller.
Comments, please. Feel free to offer to read the finished draft.... ;-)
At 10:32am on October 6, 2010, Sakina Murdock said…
Hi Bob, I'm currently absorbing what you said (environment etc) so that when I sit down on Friday night to do Proper Work instead of this thing that currently pays the bills, I will have it coursing through my work and mind enough to almost automatically write it in.
The environment was something I hadn't thought about at all, it only appears in the book in obvious places. Obvious in that I live (and my book exists) in the most beautiful part of the UK and when mentioned, it has to have extra flavour so that those poor people who live in cities and other hellish places can comprehend it.
Thanks again :-)
At 9:50am on October 5, 2010, Sakina Murdock said…
Hey Mr Fahey, thank you most (very, badly, terribly) for your useful comments on my post.

Sakina
At 7:52am on September 24, 2010, Simone Cooper said…
Yes, the threading here for comments is not so great. You wrote: "Judging by your photo, you look like you haven't been eating well. Are you a wippet?" back on September 12. :-)

And yes, he was hilarious.

--simone
At 12:41pm on September 23, 2010, Simone Cooper said…
I am not a whippet; I'm a retired racing greyhound ;-)

That's our old dog, Bill. He features in some chapter books I've been taking notes for.

--simone
At 10:35pm on September 12, 2010, Simone Cooper said…
Okay, that's hilarious!

You'll have to look her up if you get a chance. Logan Labbe-Jarrell of Family Centered Massage / WaynesvilleMassage.com
At 10:15pm on September 12, 2010, Simone Cooper said…
A quiet place to write, it sounds like. Hurray for the internet, right?

Logan is a year-round resident. She's a licensed massage therapist and also involved in the dance community there. I have visited a few times, although it is quite a hike, and I know how beautiful that area can be.

Glad to meet you :-)
At 11:46am on August 4, 2010, Melanie Sweeney said…
You know, I wondered how so many people can write a memoir without running into some serious snags like you mentioned. Your answer was to get a little creative with combining people and stuff, and mine is to just shatter the narrative apart into fragments and make it lyrical. That way, I don't have to remember exactly how conversations went or when events occurred compared to other events. It has been totally liberating, and actually, it works perfectly for the story I'm trying to tell. My biggest problem in starting my project was knowing that I had intentionally forgotten a lot while experiencing what I'm writing about. That continues to be the biggest problem, but my approach has definitely helped get around it. And you're absolutely right about writing what you need to and maybe editing out the hurtful stuff later. I don't think that my piece would hurt too many people, but sometimes I hesitate over certain details, wanting to make them softer.
 
 
 

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