
This never used to be a question.
Kamy Wicoff asks:
How do you read?
You read by opening up a book, or picking up any piece of paper with letters printed on it, and go! Now this has all changed. With e-books
exponentially increasing in popularity in ways that have taken the industry by surprise (but not Jeff Bezos) publishers everywhere are scrambling to respond, and so are revered institutions like the
New York Times. This morning,
the Times announced that it will be publishing bestseller lists for e-book fiction and nonfiction beginning in early 2011 -- a hugely important development for authors and publishers given the fact that e-book sales are beginning to comprise a significant portion of the total sales for any given title. (Several publishers told me this summer that they were frustrated by the fact that their authors' total sales weren't reflected on the bestseller lists for this reason.) It is also significant because in this new system, some titles may be bestsellers in e-book form, but not in print.
What does this mean for us -- women who write? To me, these changes present an exciting opportunity to open the world of writing, which for many centuries has been built on a model of scarcity, keeping 99% of people who want to publish OUT and deriving value from this exclusivity, to a more transparent model based on generosity and abundance. When it is possible to publish without a publisher, to print without printing, many more writers can share their stories, and produce work in many more forms and genres than fit into the literary-headlock of the traditional 250-page hardcover book. (How many nonfiction books do you know, in particular, that would have been oh-so-much better if they'd been half as long?) Look at the experiments already underway, in the form of audio magazines like
Textsound, with innovative poetry sites like
Cellpoems, and poets like Anne Carson experimenting with the print book itself, exquisitely imagined in her captivating
"Nox", an accordion-style book-in-a-box, with mixed media on textured pages that engage a reader's senses in a rich, non-digital way.
So how do you read? We would love to know --
please take a minute to answer that question in our latest She Writes survey.
One thrilling prospect I see in all of this? When storytellers are not dependent on institutions and gatekeepers to give them permission to tell their stories to a wide audience, or even reach the small audience given a chance to decide what it wants to read and hear -- groups traditionally kept on the outside will find, for the first time, a door in to the world that nobody can block, bully, intimidate or prevent them from opening and walking through. Think of the
Afghan Women's Writing Project, which fulfills its mission of empowering Afghan women to have a voice in the world, against
all odds, by leveraging digital technologies, and you will know what I mean. That is not just thrilling -- it's revolutionary.
She Writers: what do you see as the opportunities presented by this dizzying moment of innovation and creativity -- and what makes you wary?
RELATED ARTICLES
The Beginner's Guide to Electronic Publishing from She Writes Techie Mia Eaton
Amazon: Kindle Books Now Outselling Hardcovers from Mashable
E-Books Ready to Climb Past $1Billion from Forrester
And the Most Popular Way to Read An E-Book Is... from Wired.com
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