Recently I found myself around a seminar table with people of vastly different ages. We were discussing A.S. Byatt’s novella The Djinn in the Nightingale’s Eye. After listening for a time waiting to see if anyone else had anything to say about the narrator, wondering if I noticed only because I was a 50-year-old woman, I pointed out that Byatt had chosen a very particular narrator to tell this tale, a woman in her fifties who in many ways had passed beyond some of the challenges of life described in the fairy tales she studies as a narratologist. The narrator knows that she is no crone as the tales describe crones, but rather “an unprecedented being, a woman with porcelain-crowned teeth, laser-corrected vision, her own store of money....” She calls herself redundant, pointing out that no one needs her, an unusual state for a woman.
A young woman in the group, mid-20s, objected that the narrator wasn’t really an independent woman, that a couple of the other characters seemed more independent and feminist. I responded rather impatiently: the narrator wasn’t claiming anything about her own character here, she’s observing that she lives at an unprecedented time in history, where a woman in her fifties is not dead of childbirth fever, or influenza, religious persecution or human sacrifice. She has her teeth, she has her sight and she has money. A man my age, early 50s, murmured, “She’s godlike.”