Why I Write--Doug Sievers
Written by
Anjuelle Floyd
November 2010
Written by
Anjuelle Floyd
November 2010

D.E. Sievers is the author of the novel, "The Trees in Winter" You can read more about the author and the novel at the following: On Amazon: http://tinyurl.com/276ljju On Barnes and Noble: http://tinyurl.com/286r7d5 Author's Blog: http://desievers.blogspot.com/ Having the passion to write was never a problem for me. Making the time to write, however, was a challenge—but only until I made it a priority! About three years ago, I began writing a novel. It was clear to me that, without committing myself to a daily writing regimen, I would never achieve my goal. So I began going to my regular job at 6:30 a.m. and leaving at 3:30 p.m. Fortunately, my job allowed me this flexibility. Between 3:30 p.m. and 6:30 p.m., my time was devoted to writing. And has been ever since. I finished the novel. Then wrote a novella. And have now begun a non-fiction book about the remarkable artist who painted the cover art for my novel. Writing every day is important. It is what gets books written. It is what magnifies one's capabilities. It is what makes somebody a writer. My writing method is this: I sit with a 9½ x 5⅜, 80-page, Cambridge notebook in my hand and, using a cheap ballpoint pen, scrawl nearly illegible words onto the yellow pages. I have done this in parks, hotel lobbies and lounges, coffee shops, my backyard—anyplace where I am free from people I know and other distractions—places where I can retreat into the private solitude of my own thoughts. Some days yield pages filled with words, other days a single sentence, and on the occasional unlucky day, a single word or not even that. What's important is that, for three hours every day, the pad and pen are in my hands, and the time is entirely theirs. I have learned that if I feed my writing passion the time it craves, it will pay me back with words, pages, books. At some point, I face the necessary evil of transcribing my words from paper and ink to bits and bytes. I detest this chore, and sometimes defer it longer than is prudent. When writing the novel, I began by writing no more than two or three chapters before transcribing; at some point, I switched to transcribing after I'd written ten chapters (my novel contains eighty chapters). When I wrote the novella, I didn't transcribe until I'd written the entire thing. When I have a good momentum going, all I want is to remain deeply submerged in the world of my story, and just keep on writing. At such times, I am more than happy to defer the transcribing. And because I am writing in a notebook, I can take my notebook and pen with me everywhere I go. I do not require a battery or a power source. I can whip out my notebook inconspicuously in mixed company, whether on a bus or in a department store or even during a boring lecture, and I can instantly transport my thoughts onto the page. Who knows when that flash of inspiration may come? Should I risk losing a valuable line of inspired dialogue because I chose to depend upon a machine, which may prove unreliable or inconvenient, or because I have allowed myself to believe that I can write in no other way than by means of a machine? No, I say! I will depend upon nothing and no one but myself as I strive to perform this magical and capricious process known as writing. Nothing except my little notebook and my pen. And the machine that is my brain, which I carry with me wherever I go. And when I can no longer depend on that machine ... well, friends, that will be all she wrote. D.E. Sievers authors a blog called Enamored of Fiction at http://desievers.blogspot.com/ There, you can read more about the mechanics of writing (i.e., pen vs. keyboard), as well as view a series of author Lit-Vids and enjoy various fiction-related blog entries.

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