• June 2011
    Thank you, Tina, for an astute and carefully-thought piece. I wonder how Naipaul would describe Eliot (George). Middlemarch is a study of male power, patriarchal authority, morality in politics, social mores, women in the marriage market, the...
  • May 2011
    Thank you for reminding us of Anne Sexton's brilliance.If I may just add:   There's no 'yet' as in your 'Anne Sexton (1928-1974) is typically remembered as a “confessional poet” who wrote about depression and the impulse toward suicide. Yet she was...
  • January 2011
  • July 2010
    You're very welcome, Rosemarie. I'm a little anxious that I may have got you OVERTHINKING this. But I'll just add another two cents' worth - Sorry! You say most of the chapter is flashback. Is there a way you could break the flashback up and...
  • July 2010
    Hi again. It's a little difficult for me to advise as I haven't seen the MS, but if you're not writing flashback in the present tense, it's important to make the events and characters of that flashback as compelling as the rest of the narrative....
  • July 2010
    Hi Rosemarie I've just seen your last question which I didn't see before. 'How do you convey necessary background information?' Not sure you have to! If this is the opening of the novel the last thing you want to do is explain and give...
  • July 2010
    Hi Rosemarie, Not having seen your novel I can't comment on your particular case, but I can offer a few guidelines that my writers have found helpful. The perhaps unhelpfu thing I should start off saying is: IT ALL DEPENDS what effect you are...

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