WGA CREDITS:
“The Ties that Bind,” MISSING, Lifetime Network. Air date 9/24/03,
“In the Midnight Hour,” MISSING, Lifetime Network. Air date 11/ 15/04
“Penelope’s Divine” original series. Oxygen Network.
Features The Virgins, an original screenplay.
Accidental Judgments, an original screenplay.
Orange Crush, an original screenplay.
Kicking the Habit/ Rue du Bac, an original screenplay.
Teleplays “Obamaland” an original pilot
“FBI: Disaster Squad” original pilot.
“Group” original pilot.
“Stealth” original pilot.
“Inheritance” spec for THE SOPRANOS, Austin Film Fest Semi-Finalist.
“Coup de Foudre” spec for SIX FEET UNDER.
“Family Ties” spec for DEXTER, Austin Film Fest Semi-Finalist.
“Don’t Look at Me” spec for DESPERATE HOUSEWIVES.
“Black and Blue: The Female Body of Blues Writing in Jean Toomer, Toni Morrison, and Gayl Jones.” Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison. Ed. Saadi Simawe. NY: Garland, 2000. 91-118. Addresses the tension between the performing and recorded female body in the 1920’s in the wake of very popular ‘race records.’
“Between Registers: Coming In and Out Through Willa Cather’s The Song of the Lark,” Legacy: A Journal of American Women Writers 17.2 (2000): 187-198. Explores Cather’s use of the Wagnerian opera as a “transgressive” site.
“Tickling the Ivories: Mastery of the Female Instrument in Jane Campion’s The Piano” under consideration, Camera Obscura. Discusses the historical conflation of female body and musical instrument played out in the film.
