Marcelline Block (BA, Harvard; MA, Princeton; PhD candidate, Princeton) is Lecturer in History at Princeton.

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Marcelline Block edited Situating the Feminist Gaze and Spectatorship in Postwar Cinema (Cambridge Scholars, 2008; 2010), which was translated into Italian as Sguardo e pubblico femminista nel cinema del dopoguerra (2012); World Film Locations: Paris (2011); World Film Locations: Las Vegas (2012), and co-edited "Collaboration," a special issue of Critical Matrix (vol. 18, 2009), as well as Gender Scripts in Medicine and Narrative (Cambridge Scholars, 2010) and Unequal Before Death (Cambridge Scholars, 2012). She contributed chapters to anthologies including The Many Ways We Talk about Death in Contemporary Society: Interdisciplinary Studies in Portrayal and Classification (2009); Vendetta: Essays on Honor and Revenge (2010), and Cherchez la femme: Women and Values in the Francophone World (2011). Her articles have appeared in the journals Excavatio, vol. XXII: Realism and Naturalism in Film Studies (2007); The Harvard French Review (2007), and Women in French Studies (2009, 2010). Her writing has been published in French in Vingtième Siècle: revue d'histoire (vol. 96, 2007). She has been translated and published in Russian in Русское арт-зарубежье: Вторая половина ХХ века - начало ХХI века/Russian Art Beyond Borders: Late 20th Century-Early 21st Century (2010).

Yes, I edit manuscripts: academic, fiction, and memoir as well as plays and screenplays.