A spirallic, non-linear journey of various careers and travels preceded her arrival as an artist at the age of 40. A lover of words, she has invented a bilingual "spelling spider" and explores whimsical architectural forms, mindscapes, and "Freudian cities." Her series, "Heavens and Hells," included in "Slash: Paper Under the Knife," a 2010 exhibition at the Museum of Art and Design in New York, expands definitions of the artist book, and our physical connection to stories. Her subway poster, "All Around Town" shortened many of my trips from Grand Central Station to Union Square with time travel daydreams on the #6 train in 2009. Her public works in cut metal in New York, Paris and other cities around the world celebrate her conclusion that "everybody has to tell a story to make sense of the world." And if you sit long enough in shorts on her story bench in Denver, you just might thigh-brand yourself with a new legend.